Heal The Divide

Heal the Divide On Campus: An Opportunity for Inter-Collegiate Conversation Through Theatre

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CALL FOR PLAYS

Protest Plays Project and Little Black Dress INK invite college/university students to write short plays or monologues (1-10 minutes in length) inspired by the communities in which they live.  Plays might explore issues pertaining specifically to each playwright’s city, or a national/global issue seen through each playwright’s community/city lens (as it pertains to/manifests in their city).  The key is to get local—we want to see what is happening where you live!

Selected plays will be read on a special ONSTAGE: ON-AIR podcast in Fall 2020, and made available to colleges wishing to participate in a creative story exchange by presenting readings on their campus. Past participating campuses include Iowa State University, University of Texas at Arlington, Columbus State University, University of North Carolina at Charlotte, and Wake Forest University.

Goals

  • To increase opportunities for constructive dialogue around/about issues facing us today through theatrical conversation.
  • To offer students the opportunity to give voice to issues facing them/their communities.
  • To create a forum in which those ideas are not only shared with the community being written about, but with audiences living in other geographies/communities as well.
  • To foster connectivity and increased empathy between communities
  • To engage in inter-collegiate conversation with one another about the processes and outcomes of the Heal the Divide on Campus project in order to support further growth/ development of this and other initiatives like it.

Timeline

Plays will be accepted through May 10, 2020. Faculty and guest artists will read plays over the summer, with selected playwrights notified by Aug 10, 2020.

Additional Information

*While Protest Plays Project also engages in political theatre, our HEAL THE DIVIDE project is non-partisan. Your play does not have to be political in nature to qualify for this project—it just needs to live in the city/community you call home. Selected plays will offer a diverse array of perspectives from a wide range of communities—not only geographically but socio-politically as well. All voices are welcome, and encouraged!*

Here are a few plays that do this well:

The Heal the Divide project was inspired by Howl Round’s Here and Now Series, for which I wrote three plays about AZ (where I was living at the time).  Check out HAT TRICK and FOLLOWING THE RULES (which both take place in Prescott, AZ) as some additional examples of writing for/about the community in which you live.

Playwrights can upload their work HERE

Do you have additional questions?
Email Tiffany at ProtestPlays@LittleBlackDressINK.org

View/download our
Heal the Divide on Campus Resource and Idea Guide HERE

Are you a student playwright with questions about formatting?
Download the Dramatists Guild formatting guide for help.

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Heal the Divide: Some Meanings of Love, by David Hilder

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Every week we will be sharing new plays by our Heal the Divide playwrights.  This week’s play is Some Meanings of Love, by David Hilder, a playwright from NYC, NY. 

“It’s an interesting time to be in New York. We have a POTUS who’s a New Yorker, we have a recently hired (and even more recently fired) White House Communications Director who’s a New Yorker…it’s not exactly a great time to take any pride in being a New Yorker. (I hasten to add I’m only one by adoption, though at the almost 22 year mark, I feel comfortable here to say the least.) So that’s been on my mind. The other thing I’ve been thinking about, a lot, is how to think of people I can’t stand politically as actual human beings, seeking to find pleasure and avoid pain and get through the day like everyone else. Those two thought trains collided, and perhaps crashed and burned, in this play.”

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Heal the Divide: Toy Trains, by Mikki Russ

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Every week we will be sharing new plays by our Heal the Divide playwrights.  This week’s play is Toy Trains, by Mikki Russ, a playwright from Prescott, AZ. 

“Prescott has a thriving retirement community, as well as several nursing home facilities. One of the things I have been privy to is how the family dynamic plays out in the golden years. Some folks get pulled in to the group hug of their nuclear family and that cradles them unto death. Other people seem to be perched just outside of warmth and their loneliness is heartbreaking to observe. I wrote Toy Trains because Mona’s story is one I have seen unfold in a variety of ways while I have lived here. While Sunny Springs is not the name of an actual care home facility, we have many in Prescott, due to our vast retirement community. I don’t know what it is about our culture in particular that our elderly can get so marginalized from their families. True, there are people who show up in our lives and care for us quite intimately, and I think therein lies the hope. If we can all recognize our interdependence, maybe we have room to grow.”

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Heal the Divide: The Pen, by Diana Burbano

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Every week we will be sharing new plays by our Heal the Divide playwrights.  This week’s play is The Pen, by Long Beach playwright Diana Burbano.

This piece was inspired by conversations and news articles that have been circulating in the immigrant community where I teach.

It’s also a little bit of a conversation with Robert Schenkkan’s play “Building the Wall”.

 

 

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Heal the Divide: Fireworks, by Jen Huszcza

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Every week we will be sharing new plays by our Heal the Divide playwrights.  This week’s play is Fireworks, by Los Angeles playwright Jen Huszcza.

Writing Fireworks

A few weeks ago, I became obsessed with Presidential Impeachment (as one does in this day and age). I wanted to know how it worked, what it was, the history of it. I soon learned that Alexander Hamilton wrote the Federalist Paper on Impeachment, and I wondered if I could put Hamilton onstage. He’s currently the star of the biggest mega hit musical of this century, and he’s a founding father. It’s a little intimidating, so naturally I had to do it.

Then, a week later, I saw Samantha Bee interview Senator Elizabeth Warren on youtube. Samantha Bee jokingly talked about sitting on a ledge over the death of democracy and calling Senator Warren. I suddenly saw that ledge. Who would I put on the ledge and who would they call? What if the person they called was not available or not taking calls?

I don’t know where Barack Obama came from (actually, I do, he was born in Hawaii). I’ve noticed a lot of Obama nostalgia on Facebook among my liberal friends, and I think Monica would call him. Please do not take this as a literal or biographical Obama. While he did say that America was already great at the Democratic convention, I do not have his intelligence. His lines are written by a humble playwright and should not be taken as the former president’s actual words.

Besides, I would totally do pints with Alexander Hamilton.

Jen Huszcza
July 2017

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Heal the Divide: Four Poems, by Taijee Bunch

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Every week we will be sharing new plays by our Heal the Divide playwrights.  This week’s play is Four Poems, by Southern Arkansas University student Taijee Bunch, a playwright from Lonoke, AR.

I was inspired to write this play at an ASTEP (Artist Striving To End Poverty) open mic night.  I wanted to re-create that moment. I also wanted to address the concern that we don’t listen to each other enough to understand that we all go through similar problems. We all just need a timeout. A time to listen and focus back in with each other and most importantly heal. Four Poems follows four artists whose names represent their problem/solution of their individual lives: Oppression, Fear, Boundaries, and Healing to bring us back into reality that we can create change together not against one another. I hope you enjoy!

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Heal the Divide: Spotlight on Taijee Bunch

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When I was first mulling over who to invite to participate in our first round of Heal the Divide plays, I knew that I needed to create a diverse line-up of playwrights who were coming from not only from different communities, but from different places in their careers as well.  I immediately thought of a playwriting student of mine at Southern Arkansas University who demonstrated wonderful dramatic potential along with incredible curiosity about the human condition.  On top of that, he’s been writing a play a day since studyingSuzan-Lori Parks’ 365 Days/365 Plays collection last Fall.  (Something I’ve only imagined attempting)  When I reached out to Taijee, he jumped at the opportunity to share his perspective with us, and I can’t wait to see what he writes for us over the coming months.

Taijee is from Lonoke, AR – population 4, 245. 

I don’t know about you, but living in a town of 4,245 people is kind of hard for me to imagine.  My husband and I are currently living in Magnolia, AR – population 13,000 – and I’ve had a hard time adjusting to the fact that most of the time it feels like there’s hardly anyone around.  Lonoke is a mere 1/3 of that – WOW!

And even though Taijee is still an undergrad at SAU, he’s already begun making strides towards combining his passion for theatre and love of community.  This summer he participated in the ASTEP program in NYC, an experience that has already impacted his writing since his first play was inspired by work he engaged in while there.

I can’t wait to see the work Taijee shares with us.  As a young Southern playwright, his voice is one we desperately need in the conversation!

Why did you decide to participate in Heal the Divide?

I was very interested in the Heal the Divide project because it was already a huge purpose and goal of mine to do something to help close that gap between the people of this world, and to help us one day see the change we’ve all been working so hard to achieve.

What areas of concern do you find yourself curious about or interested in for this project?

For my community, my concern is that we don’t listen to each other’s concerns. We have a problem of feeling that no one should feel worse than we do. We believe that no one goes through rough times like we do, when really, it’s a reality for everyone. Listening is a necessity for us to create harmony among each other.

Artists making a difference. What do you think we can (or should) do? Are there pitfalls we need to avoid?

I want to answer this question by challenging everyone to smile at someone everyday. Politely force them to realize that you exist, that they exist. Stay curious, not convicted. Always consider another person’s feelings and existence in this world.

What questions as a playwright are you drawn to explore in your work?

I want to explore why there isn’t much inclusion for minorities in the big areas of theater.

Do you have any other additional thoughts/ideas you want to riff on that pertain to this project?  

I have recently become an Artist Striving To End Poverty alum or ASTEP for short. Shout out to the family and my family at Southern Arkansas University Department of Theatre!

Do you have any other additional thoughts/ideas you want to riff on that pertain to this project?  

I hope that my message is clear and touches every reader!

More about Taijee:

My name is Taijee DeJohn Bunch. I was raised in Lonoke, Arkansas where I spent most of my life and my entire schooling period. I am a musical theater major at Southern Arkansas University. Outside of playwriting, I enjoy acting, teaching and performing praise dance, playing my trombone/baritone, and singing. I love re-telling a story – devouring peacefully every part of an amazing story and attempting to re-create it with new meanings and inspirations that I hope to show to my audience. My favorite quote I now live by is, “Stay curious, not convicted!”

You can read more about the Heal the Divide initiative HERE. 

You can read more about all of our Heal the Divide playwrights HERE.

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Heal the Divide: No One Else’s Problem, by David Hilder

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Every week we will be sharing new plays by our Heal the Divide playwrights.  This week’s play is No One Else’s Problem, by David Hilder, a playwright from NYC, NY. 

I have been fascinated by what has looked like political heel-dragging on the part of Governor Andrew Cuomo regarding the decrepit New York City subway system, which is in need of a massive overhaul. (Despite what many think – including a lot of NYC residents – the MTA’s budget is controlled by the state, not by the city.) There are recent signs that the governor is paying attention to a situation reaching crisis levels for millions of his constituents, but it has felt like a whole lot of playing catch-up. So I wanted to imagine being in his shoes. For those who want extra credit, you can read more about this issue HERE and HERE.  Also, I’d like to say that at the time of this writing – July 2, 2017 – I’m more than aware that this play, more than most, may have a seriously brief shelf life!

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You can read more about the Heal the Divide initiative HERE. 

You can read more about all of our Heal the Divide playwrights HERE.

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Heal The Divide: The Short End of the Stick, by Mikki Russ

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Every week we will be sharing new plays by our Heal the Divide playwrights.  This week’s play is The Short End of the Stick, by Mikki Russ, a playwright from Prescott, AZ. 

“I elected to write this piece because it afforded me a chance to use a colorful discussion that happened in Prescott, AZ to cast a wider net across a simple question of humanity. I tried to use a kaleidoscope and transition from the very near to the broader effects of our encounters with one another. Sometimes the colors up close do not come in to focus until we take a step back. One of the things I quite enjoyed was the fact that the monkey story is supposedly true of a village in Senegal. I spent a few weeks driving around marveling at how our different experiences in our respective villages can pretty much be distilled into common streams that we all have to drink from.”

Download (PDF, 59KB)

You can read more about the Heal the Divide initiative HERE. 

You can read more about all of our Heal the Divide playwrights HERE.

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Heal the Divide: Spotlight on Jen Huszcza

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My love affair with Jen Huszca’s work is no secret.  She’s been an ONSTAGE playwright with Little Black Dress INK six years in a row, and every time I do anything even remotely theatrical, I ask her to participate.  Sure, we already had one fabulous LA playwright on the project – but with the city itself being so incredibly large, eclectic, and an entertainment hub for our nation (and the world), couldn’t we have a second fabulous LA playwright on board?

And as soon as I wondered that aloud to myself, I knew the answer was “Go for it!” because Jen and Diana are writing from such different parts of LA, different backgrounds, and different experiences… and I know each one will provide a powerful view from their own perspectives that will draw us in and leave us with something worth chewing over.

So lets talk a little more about Jen… she’s a super talented, wildly imaginative writer/artist who has gone on several walking pilgrimages (and written about them), who rides the bus (which means she spends a LOT of time commuting), who spends too much time worrying about affordable housing in one of the most expensive cities in the US, and who brings a unique theatrical perspective to everything she creates.  Jen works in a style of writing that is visceral, pensive, and unapologetically direct.

Yeah, I think it’s appropriate that she’s been offered a seat at this table.

And thank goodness, too.  Because whatever issues Jen decides to tackle, her work will most definitely suck you in (maybe punch you in the proverbial gut) and leave you thinking very deeply about the subject she’s cutting open on the theatrical table before you.

Why did you decide to participate in Heal the Divide?

Tiffany asked me. I wish I had a more intellectual answer, but my main reason for participating is friendship. I also like the positivity of the project and its focus on empathy.

What areas of concern do you find yourself curious about or interested in for this project?

The news cycle changes so quickly these days that I can not predict what I will be interested in a month from now. It is fascinating how reactionary Americans on both sides of the political divide can be. Sometimes words just pop out at me. For example, elitism. Also, I have always been interested in both the wildness and fragility of the natural world.

Artists making a difference. What do you think we can (or should) do? Are there pitfalls we need to avoid?

I think advocacy and how much an artist makes a difference is up to the individual artist.

What questions as a playwright are you drawn to explore in your work?

What does it mean to be a human or other animal living on the earth? If I say anymore, I will blow my hand, and I like to keep my cards close to my chest.

More about Jen:

Jen Huszcza is a playwright currently based in Los Angeles.  Five of Jen’s plays (Rinse, POP, Flowers, This, and Big Belly) were performed in Little Black Dress INK’s first five Women Onstage festivals. Big Belly and This were also read at Theatre N16’s Herstory Festivals in Balham, UK. Her short play, It Has to End in Tears, was produced by Greenlight Productions in Santa Monica in March 2015. Four of her plays have been presented as staged readings in the Monday Night Living Room Series at The Blank Theatre in Hollywood.  BFA in Dramatic Writing and MFA in Musical Theatre Writing both from NYU.

You can follow Jen on Twitter @playwrightjen

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