Jaisey Bates is the kind of playwright that, once you meet/work with her, you kind of just want to invent more reasons to get a chance to work with her again. Not only are her words achingly beautiful, but her personality is so engaging and honest that I find myself awed by even her emails.
Which is why I am so totally thrilled to announce that Jaisey will be participating in our 2nd Heal the Divide online residency! I’ll be sharing Jaisey’s first Heal the Divide play next week, but you don’t have to wait that long to get to know more about this talented and creative human. Check out my interview with Jaisey below.
What about our Heal the Divide project captured your interested/why did you decide to participate in this initiative? What questions, as a playwright, are you most drawn to explore in your work?
A ‘Fermat’s Last Theorem’
short scene answer attempt
(to save time so folks might
spare a few moments more
for perusing Protest Play PDFs),
/ from whence these
/ my words.
the (mortally?) wounded
world around her.
It does not
the Story Math
“Who lives, who dies,
who tells [the] story”
an invitation to
add three gatherings
of words to the
/ To Whom
What areas of concern in your community do you find yourself curious about or interested in considering for this project?
I currently live in LA which has the largest urban population of Natives in the U.S. Most of my words speak from an Indigenous perspective.
There have been a lot of discussions lately about what artists can do to “make a difference” in light of our current political spectrum. What do you think we can (or should) do?
as we try
a more just
of our children’s
And of theirs.
My words and I
stand this ground
Are you engaged in any other organizations fighting for change or progress that you want to give a shout out to?
Some hashtags for movements of interest and action, mostly through writing and staging plays:
What did you take away from reading the plays from our first residency?
Intriguing range of perspectives and approaches from the resident playwrights. Also fascinating: the college Heal the Divide on Campus initiative. I hope we online folks might have the chance to read some of the students’ efforts.
More About Jaisey:
Jaisey Bates, a misplaced Maine-iac in LA, writes and performs with her nomadic multicultural theater company, The Peoplehood. LA and NYC venues for her words have included the Agüeybaná Book Store, Art/Works, Eclectic, EST/LA, Lounge, Naked Angels, Native Voices at the Autry, Open Fist, Performance Loft, Playwrights’ Center Stage, Samuel French Bookshop, Studio/Stage, Unknown and Victory theaters. Her words have enjoyed road trips to several states and teleportation to Canada and the UK. Her full-length plays include The Day We Were Born, RUN, This Radiant Wasteland, and Variations in the Key of White. Real Time, her fancydance variation on Whitman’s Leaves of Grass, is The Peoplehood’s Menu of Performance Possibilities, an ever-evolving multitude of mix-and-match short plays and spoken word pieces. Her motto is “Have Words. Many Words. Many, many Words. Will travel.” Her education includes Georgetown’s School of Foreign Service, American University in Cairo (Fulbright/Johns Hopkins SAIS) and Loyola Marymount (MA in English). She wrote a blog, “Native communities and climate change, center stage”, for the HowlRound’s ‘Theater in the Age of Climate Change’ series. She tends to speak of herself in the 3rd person. She also answers to the name Planet Nine. She is very grateful to Brilliant Words Warrior Woman Tiffany Antone for this chance to work toward Healing the Divide. She hopes with all her heart that we will learn to walk in beauty this beloved ground.